"Bei Männern, welche Liebe fühlen (Die Zauberflöte)" by Friedrich Schorr, Emmy Bettendorf was released on September 1, 2006. The duration of Bei Männern, welche Liebe fühlen (Die Zauberflöte) is about 3 minutes long, at 3:13. Based on our data, "Bei Männern, welche Liebe fühlen (Die Zauberflöte)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr" album is number 2 out of 16. Bei Männern, welche Liebe fühlen (Die Zauberflöte) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bei Männern, welche Liebe fühlen (Die Zauberflöte) by Friedrich Schorr, Emmy Bettendorf to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Aida, Act 1: "Si, corre voce che I'Etiope ardisca" (Ramfis, Radamès) | Giuseppe Verdi, Richard Tucker, Giuseppe Modesti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Giuseppe Modesti, Orchestra Del Teatro Alla Scala, Milano, Richard Tucker, Tullio Serafin | F♯ Major | 2 | 2B | 107 BPM | ||
Lohengrin, Act I Scene 2: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus, Heinrich, Elsa) | Richard Wagner, Emanuel List, Lauritz Melchior, Lotte Lehmann, Friedrich Schorr, Marjorie Lawrence, Julius Huehn, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Artur Bodanzky | F Major | 3 | 7B | 58 BPM | ||
Verdi: La traviata, Act 1: "Dell'invito trascorsa e gia l'ora" (Chorus, Violetta, Flora, Marquis, Gaston, Baron) | Giuseppe Verdi, Coro Cetra, Alberto Albertini, Ede Marietti Gandolfo, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai | D Major | 3 | 10B | 150 BPM | ||
Otello: Oh Dio! Qual mal strepito è questo! | Gioachino Rossini, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Cavalleria rusticana: Part II: A voi tutti salute! (Alfio, Chorus, Turiddu, Lola, Women) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 1 | 8B | 61 BPM | ||
Transcendental Symphony Part III. Adagio 3: 'Communion' | Taipei New Dynasty Philharmonic & Chorus, Stella Chang, Vittorio Wu Bai | F Major | 1 | 7B | 114 BPM | ||
Les Pêcheurs de perles: Entends au loin ce bruit de fête! (Nourabad, Leïla, Zurga) | Georges Bizet, Jacques Mars/Janine Micheau/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D♭ Major | 1 | 3B | 99 BPM | ||
H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Le nozze di Figaro: Hai già vinta la causa? | Wolfgang Amadeus Mozart, Aurelio Scotto, Przemysław Baranek | E♭ Major | 1 | 5B | 172 BPM |
Section: 0.7093079090118408
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