"2 Romanian Rhapsodies, Op. 11: No. 1 in A Major" by George Enescu, RCA Victor Symphony Orchestra, Unknown Artist, Leopold Stokowski was released on August 2, 2019. 2 Romanian Rhapsodies, Op. 11: No. 1 in A Major appears to be safe for all ages as it is not explicit. The song is number 9 out of 9 in Enescu: Composer, Conductor, Pianist, Violinist & Teacher, Vol. 6 by George Enescu, Leopold Stokowski. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 2 Romanian Rhapsodies, Op. 11: No. 1 in A Major is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Romanian Rhapsodies, Op. 11: No. 1 in A Major by George Enescu, RCA Victor Symphony Orchestra, Unknown Artist, Leopold Stokowski is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne Et Saltarello for Cello and Piano (1897): Nocturne. Andante | George Enescu, Rudolf Leopold, Raluca Stirbat | G Minor | 1 | 6A | 104 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Serenade for Strings in E Major, Op. 22: I. Moderato | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek | D Major | 9 | 10B | 167 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
The Wave of the Surging Thoughts: III. Song Without Words. Passion and Emotion | Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza | F Major | 2 | 7B | 166 BPM | ||
Winterreise, Op. 89, D. 911: No. 1, Gute Nacht (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | F Minor | 0 | 4A | 68 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Rondo (Allegretto) | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | E♭ Major | 1 | 5B | 150 BPM | ||
Capriol Suite: IV. Bransles | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (Original Version): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Gürzenich Orchester Köln, François-Xavier Roth | C Major | 0 | 8B | 87 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM |
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