Fritz Kreisler, David Garrett, Royal Philharmonic Orchestra, Ion Marin made "Variations On A Theme Of Corelli In The Style Of Tartini" available on January 1, 2011. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Fritz Kreisler, David Garrett, Ion Marin, Royal Philharmonic Orchestra's "Legacy" album is number 7 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Variations On A Theme Of Corelli In The Style Of Tartini is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Variations On A Theme Of Corelli In The Style Of Tartini by Fritz Kreisler, David Garrett, Royal Philharmonic Orchestra, Ion Marin to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
No. 1, Der Engel (Arr. for Cello and Orchestra) | Richard Wagner, Jan Vogler, Helmut Branny | A Major | 1 | 11B | 92 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
4 Romantic Pieces, Op. 75, B. 150 (Arr. for Cello & Piano): No. 1. Allegro moderato | Anonymous, Antonín Dvořák, Daniel Müller-Schott, Robert Kulek | B♭ Major | 0 | 6B | 127 BPM | ||
Danse macabre, Op. 40, R. 171 (Arr. Garrett / van der Heijden for Violin and Orchestra) | Camille Saint-Saëns, David Garrett, Franck van der Heijden, Orchestra the Prezent | B Major | 1 | 1B | 83 BPM | ||
Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | G Major | 1 | 9B | 154 BPM | ||
Dinicu: Hora staccato | Tenenbaum & Kapp | E♭ Major | 3 | 5B | 97 BPM | ||
Orfeo ed Euridice, Wq. 30: Mélodie (Arr. Garrett / van der Heijden for Violin and Orchestra) | Christoph Willibald Gluck, David Garrett, Franck van der Heijden, Orchestra the Prezent | D Minor | 2 | 7A | 69 BPM | ||
Overture, William Tell (Finale) | Gioachino Rossini, Royal Philharmonic Orchestra, Philip Ellis | E Major | 4 | 12B | 150 BPM | ||
Rimsky-Korsakov / Arr. Heifetz: The Tale of Tsar Saltan, Act 3: The Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Tasmin Little, Piers Lane | D Minor | 3 | 7A | 93 BPM | ||
Schebek Das Lied Der Geige - Op. 2: J. Schebek | Mela Tenenbaum | G Major | 1 | 9B | 121 BPM |
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