"Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka]" by Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti was released on January 1, 2003. Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Renée Fleming: By Request". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. The popularity of Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] by Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria in D Major, RV 589: 1. Gloria in excelsis | Antonio Vivaldi, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 3 | 3B | 128 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") | Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra | F♯ Major | 1 | 2B | 93 BPM | ||
Tannhäuser, WWV 70: Overture | Richard Wagner, Chicago Symphony Orchestra, Sir Georg Solti | B Major | 2 | 1B | 78 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Minor | 1 | 3A | 135 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Rusalka, Op. 114: Song to the Moon | Antonín Dvořák, Joshua Bell, Michael Stern | F♯ Major | 1 | 2B | 137 BPM | ||
Così fan tutte / Act 1: "Soave sia il vento" - "Non son cattivo" - "Che vita maledetta" - "Madame, ecco la vostra colazione" | Wolfgang Amadeus Mozart, Montserrat Caballé, Dame Janet Baker, Ileana Cotrubas, Richard van Allan, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 1 | 12B | 85 BPM | ||
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 66 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM |
Section: 1.1228361129760742
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