Sailing to Byzantium - Paul Hillier, Andrew Lawrence-King Information

Acousticness
97%
Danceability
18%
Energy
8%
Instrumentalness
95%
Liveness
12%
Loudness
64%
Speechiness
4%
Valence
7%
Popularity
Loudness
-21.709 dB

Summary

"Sailing to Byzantium" by Paul Hillier, Andrew Lawrence-King was released on 1998. Since Sailing to Byzantium is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 22 out of 24 in Bitter Ballads - Ancient and Modern Poetry Sung to Medieval and Traditional Melodies by Paul Hillier, Andrew Lawrence-King. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sailing to Byzantium is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sailing to Byzantium BPM

The tempo marking of Sailing to Byzantium by Paul Hillier, Andrew Lawrence-King is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Sailing to Byzantium Key

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ma fin est mon commencement by Jackson Hill, New York PolyphonyMa fin est mon commencementJackson Hill, New York PolyphonyA♭ Minor11A129 BPM
Zwei slawische Psalmen: II. Psalm 131 by Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul HillierZwei slawische Psalmen: II. Psalm 131Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul HillierB Major01B81 BPM
Regina caeli by Vicente Lusitano, The Marian ConsortRegina caeliVicente Lusitano, The Marian ConsortA♭ Major14B76 BPM
Tallis: Spem in Alium - 3. Respice by The Tallis Scholars, Peter PhillipsTallis: Spem in Alium - 3. RespiceThe Tallis Scholars, Peter PhillipsB Minor110A140 BPM
Lachrimae by John Dowland, Elizabeth Kenny, Theatre of Early MusicLachrimaeJohn Dowland, Elizabeth Kenny, Theatre of Early MusicF♯ Minor011A87 BPM
Alleluya by Antoine Busnois, Capilla FlamencaAlleluyaAntoine Busnois, Capilla FlamencaE♭ Major15B80 BPM
Jephte: Plorate, filii Israel by Giacomo Carissimi, Ängby Chamber Choir, Anders ColldénJephte: Plorate, filii IsraelGiacomo Carissimi, Ängby Chamber Choir, Anders ColldénF Minor14A71 BPM
Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine Liturgy of St. John Chrysostom, Op. 41: X. We Sing TheePyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen SavchukE Minor09A136 BPM
Making or Breaking by Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel RinsemaMaking or BreakingKim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel RinsemaD Major110B90 BPM
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace)Alfred Schnittke, Bavarian Radio Chorus, Peter DijkstraE♭ Major15B69 BPM
ISRC
USHM19620422
Label
L-M Records/RCA Records

Section: 0.665320873260498

End: 0.6739950180053711