"Sailing to Byzantium" by Paul Hillier, Andrew Lawrence-King was released on 1998. Since Sailing to Byzantium is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 22 out of 24 in Bitter Ballads - Ancient and Modern Poetry Sung to Medieval and Traditional Melodies by Paul Hillier, Andrew Lawrence-King. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sailing to Byzantium is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sailing to Byzantium by Paul Hillier, Andrew Lawrence-King is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma fin est mon commencement | Jackson Hill, New York Polyphony | A♭ Minor | 1 | 1A | 129 BPM | ||
Zwei slawische Psalmen: II. Psalm 131 | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | B Major | 0 | 1B | 81 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Tallis: Spem in Alium - 3. Respice | The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 140 BPM | ||
Lachrimae | John Dowland, Elizabeth Kenny, Theatre of Early Music | F♯ Minor | 0 | 11A | 87 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 136 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM |
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