"Along the Western Shore (version for piano): III. Sea Rhapsody" by Elinor Remick Warren, Althea Waites was released on January 1, 2003. The duration of Along the Western Shore (version for piano): III. Sea Rhapsody is about 3 minutes long, at 3:14. Based on our data, "Along the Western Shore (version for piano): III. Sea Rhapsody" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Piano Recital: Waites, Althea - Warren, E.R. / Still, W.G. / Saylor, R. / Rodgers, L.". In this album, this song's track order is #3. Along the Western Shore (version for piano): III. Sea Rhapsody is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Along the Western Shore (version for piano): III. Sea Rhapsody by Elinor Remick Warren, Althea Waites having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: V. Affettuoso - Studio Recording | Francesco Geminiani, I Musici | B♭ Minor | 2 | 3A | 114 BPM | ||
24:つばめ(ブルグミュラー:25の練習曲 作品100) | 伊奈和子 | A Minor | 4 | 8A | 152 BPM | ||
Land of Four Languages (Version for 2 Pianos, 8 Hands & String Orchestra): II. Oyfen Weg | Aryeh Levanon, MultiPiano, Royal Philharmonic Orchestra, Dmitry Yablonsky | D Minor | 1 | 7A | 104 BPM | ||
Along the Western Shore: II. Nocturne | Elinor Remick Warren, Polish Radio and Television Orchestra, Szymon Kawalla | E Major | 1 | 12B | 77 BPM | ||
Symphony in G Major, Op. 11 No. 1: II. Andante | Joseph Bologne, Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Major | 0 | 10B | 122 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: II. Adagio - Cadenza by Dejan Lazić | Dejan Lazić, Wolfgang Amadeus Mozart, Bergen Philharmonic Orchestra, Jan Willem de Vriend | D Major | 0 | 10B | 98 BPM | ||
Piano Concerto No.12 in A - K414 (Andante) | Peter Samuels | D Major | 1 | 10B | 102 BPM | ||
Symphony No.5 in B-flat: First Movement | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Impressions | Christian Desire Langlade, Saint-Preux | B♭ Major | 2 | 6B | 115 BPM | ||
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM |
Section: 0.7314605712890625
End: 0.7354459762573242