"4 Hymns: II. for cello and double bass" by Alfred Schnittke, Torleif Thedéen, Christian Davidsson, Ingegerd Fredlund, Entcho Radoukanov, Mayumi Kamata, Anders Holdar, Anders Loguin was released on December 1, 1990. 4 Hymns: II. for cello and double bass is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Schnittke: Cello Concerto No. 1 / Klingende Buchstaben / 4 Hymns". In this album, this song's track order is #7. 4 Hymns: II. for cello and double bass is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Hymns: II. for cello and double bass by Alfred Schnittke, Torleif Thedéen, Christian Davidsson, Ingegerd Fredlund, Entcho Radoukanov, Mayumi Kamata, Anders Holdar, Anders Loguin having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
Cello Sonata: I. Dialogo | György Ligeti, Miklós Perényi | F Major | 0 | 7B | 94 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Preludes: La colombe (The Dove) | Olivier Messiaen, Håkon Austbø | F♯ Minor | 0 | 11A | 135 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Kremerata Baltica, Gidon Kremer | B♭ Major | 1 | 6B | 90 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Passacaglia In C Minor, BWV 582: Passacaglia | Johann Sebastian Bach, Karl Richter | D♭ Minor | 2 | 12A | 53 BPM | ||
Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | F Major | 0 | 7B | 71 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM |
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