Domenico Savino, Lon Chaney, Hollywood Bowl Orchestra, John Mauceri's 'Phantom of the Opera: Phantom Of The Opera - Through The Looking Glass' came out on October 15, 2020. With Phantom of the Opera: Phantom Of The Opera - Through The Looking Glass being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giuseppe Verdi, Carl Orff, Richard Wagner's "Haunted House Halloween" album is number 7 out of 103. Phantom of the Opera: Phantom Of The Opera - Through The Looking Glass is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Phantom of the Opera: Phantom Of The Opera - Through The Looking Glass by Domenico Savino, Lon Chaney, Hollywood Bowl Orchestra, John Mauceri to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gare Field | Luckless | G Minor | 4 | 6A | 100 BPM | ||
4 Irish Dances, Op. 126: No. 1. Allegro con energico | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | G Major | 3 | 9B | 137 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM | ||
In the Orient (arr. for alto saxophone and orchestra) | Paul Brodie, Rudy Wiedoeft, Domenico Savino, Beijing Chamber Orchestra | B♭ Minor | 1 | 3A | 83 BPM | ||
Victory from the Mountain Top | Vintage Realm | A♭ Minor | 2 | 1A | 120 BPM | ||
Billy the Kid - complete ballet: Street In A Frontier Town | Aaron Copland, Baltimore Symphony Orchestra, David Zinman | F Minor | 1 | 4A | 139 BPM | ||
Marche funèbre d'une marionnette | Charles Gounod, Eugene Ormandy | D Major | 0 | 10B | 135 BPM | ||
Prelude / Lara's Theme (From "Doctor Zhivago") | Erich Kunzel, Cincinnati Pops Orchestra | F Major | 0 | 7B | 119 BPM | ||
The Dance of the Witches | John Williams | D Minor | 2 | 7A | 123 BPM |
Section: 0.8302469253540039
End: 0.8343091011047363