"Fantasía para un gentilhombre for Guitar and Small Orchestra: 1. Villano y Ricercare (Adagietto - Andante moderato)" by Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin was released on January 1, 2014. With this song being about 5 minutes long, at 5:07, "Fantasía para un gentilhombre for Guitar and Small Orchestra: 1. Villano y Ricercare (Adagietto - Andante moderato)" by Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 10 in Aranjuez by Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin. Fantasía para un gentilhombre for Guitar and Small Orchestra: 1. Villano y Ricercare (Adagietto - Andante moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantasía para un gentilhombre for Guitar and Small Orchestra: 1. Villano y Ricercare (Adagietto - Andante moderato) by Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
Solomon HWV 67: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra) | George Frideric Handel, Lucie Horsch, Charlotte Barbour-Condini, Academy of Ancient Music, Bojan Čičić | A Major | 3 | 11B | 123 BPM | ||
Sicilienne | Gabriel Fauré, Cocomi, Miloš Karadaglić | E♭ Major | 0 | 5B | 140 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Cavatina | Craig Ogden | E Major | 1 | 12B | 79 BPM | ||
Cuatro Tangos: Libertango - Latino Gold Version | Astor Piazzolla, Miloš Karadaglić, Ksenija Sidorova, Studioorchester der Europäischen FilmPhilharmonie, Christoph Israel | A Minor | 3 | 8A | 153 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Zhu Xiao-Mei | F Major | 0 | 7B | 65 BPM | ||
Piano Concerto No.2 in F Minor, Op.21: 2. Larghetto | Frédéric Chopin, Nelson Freire, Gürzenich Orchester Köln, Lionel Bringuier | B♭ Major | 1 | 6B | 85 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Eternity | London Philharmonic Orchestra, Ian Mulder | C Major | 1 | 8B | 87 BPM |
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