"Symphonie No. 3, Op. 36: II. Lento e largo" by Henryk Górecki, Alain Altinoglu, Ingrid Perruche, Fundacja Sinfonia Varsovia was released on April 26, 2005. Since Symphonie No. 3, Op. 36: II. Lento e largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Henryk Górecki, Ingrid Perruche, Alain Altinoglu, Fundacja Sinfonia Varsovia's "Gorecki: Symphonie No. 3" album is number 2 out of 4. On top of that, France appears to be the country where this track was created. Symphonie No. 3, Op. 36: II. Lento e largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie No. 3, Op. 36: II. Lento e largo by Henryk Górecki, Alain Altinoglu, Ingrid Perruche, Fundacja Sinfonia Varsovia to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dawn | Meredith Monk | A Minor | 1 | 8A | 77 BPM | ||
Martynov: "Come in!", Movement IV | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 115 BPM | ||
Pro Peccatis | Andreas Scholl | D Minor | 2 | 7A | 58 BPM | ||
Pars III: Et erit post haec - effundam | Helicon and Euterpe Choir, Marco Beasley, Elisabetta de Mircovich, Claudia Caffagni, Karen Peeters, Jaap Kruithof, Edwin Derde, Guido Morini, Geert Hendrix | E Minor | 0 | 9A | 79 BPM | ||
Sanctus | Anonymous, Jan Garbarek, The Hilliard Ensemble | C Minor | 1 | 5A | 119 BPM | ||
Earth Seen from Above | Meredith Monk, Marc Shapiro, San Francisco Symphony Chorus, Vance George | A♭ Major | 0 | 4B | 83 BPM | ||
Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 83 BPM | ||
Confitemini Domino: I. Confitemini Domino | Anonymous, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 75 BPM | ||
Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | ||
Above and Below, B Minor | Víkingur Ólafsson, Peter Gregson | B Minor | 2 | 10A | 137 BPM |
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