Thomanerchor Leipzig, Hans-Joachim Rotzsch's 'Lasst uns das Kindlein wiegen' came out on February 21, 2014. With Lasst uns das Kindlein wiegen being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weihnachten mit dem Thomanerchor by Thomanerchor Leipzig, Hans-Joachim Rotzsch. The song's track number on the album is #10 out of 30 tracks. In terms of popularity, Lasst uns das Kindlein wiegen is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lasst uns das Kindlein wiegen by Thomanerchor Leipzig, Hans-Joachim Rotzsch has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lasst uns das Kindlein wiegen being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 2, Alio modo in canone alla quinta | Raaf Hekkema, Calefax | E♭ Major | 1 | 5B | 72 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: III. Hark! hark! Each Tree | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze, Jonathan Arnold | D♭ Major | 1 | 3B | 73 BPM | ||
Nun komm, der Heiden Heiland Buxwv 211 | Dietrich Buxtehude, Leonardo Carrieri | A♭ Major | 0 | 4B | 119 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Kyrie, R. 587: 3. Adagio - Allegro: Kyrie eleison | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Bach, CPE: Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 5, Chor. "Triumph! Des Herrn Gesalbter sieget!" | Carl Philipp Emanuel Bach, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of the Age of Enlightenment | D♭ Major | 4 | 3B | 117 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM |
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