Claude Debussy, Katia & Marielle Labèque's '6 Épigraphes antiques, L.131: 1. Pour invoquer Pan, dieu du vent d'été' came out on June 6, 2021. The duration of 6 Épigraphes antiques, L.131: 1. Pour invoquer Pan, dieu du vent d'été is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 6 Épigraphes antiques, L.131: 1. Pour invoquer Pan, dieu du vent d'été's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 45 in Debussy for reading by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. 6 Épigraphes antiques, L.131: 1. Pour invoquer Pan, dieu du vent d'été is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Épigraphes antiques, L.131: 1. Pour invoquer Pan, dieu du vent d'été by Claude Debussy, Katia & Marielle Labèque is Lento (slowly), since this song has a tempo of 54 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
L'autre Valse D'amélie | Frédéric Schubert | D♭ Major | 3 | 3B | 168 BPM | ||
Deux arabesques: Deux arabesques: I. Andantino con moto | Claude Debussy, Alain Planès | F♯ Minor | 1 | 11A | 72 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM |
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