"Leconte de Lisle: Le Colibri, Op. 2 No. 7" by Ernest Chausson, Philippe Jaroussky was released on March 2, 2009. The duration of Leconte de Lisle: Le Colibri, Op. 2 No. 7 is about 3 minutes long, at 3:01. Based on our data, "Leconte de Lisle: Le Colibri, Op. 2 No. 7" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Opium - Mélodies Françaises". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Leconte de Lisle: Le Colibri, Op. 2 No. 7 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Leconte de Lisle: Le Colibri, Op. 2 No. 7 by Ernest Chausson, Philippe Jaroussky having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le temps des lilas (From "Poème de l'amour et de la mer, Op. 19") | Ernest Chausson, Véronique Gens, Susan Manoff | B♭ Major | 1 | 6B | 91 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | F♯ Major | 0 | 2B | 62 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Poème, Op. 25: I. Lento e misterioso | Ernest Chausson, Lisa Batiashvili, Philadelphia Orchestra, Yannick Nézet-Séguin | F♯ Major | 0 | 2B | 71 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Sonata for Piano and Violin in A Major, FW 8: II. Allegro | César Franck, Isabelle Faust, Alexander Melnikov | G Minor | 1 | 6A | 108 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM |
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