Niccolò Paganini, Niklas Liepe, Gregor Bühl made "24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 1 in E Major" available on March 9, 2018. The duration of 24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 1 in E Major is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. 24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 1 in E Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The New Paganini Project". In this album, this song's track order is #1. 24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 1 in E Major is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 1 in E Major by Niccolò Paganini, Niklas Liepe, Gregor Bühl having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No.2 In B Minor, Op.7, MS.48: 1. Allegro maestoso - Cadenza: Salvatore Accardo | Niccolò Paganini, Salvatore Accardo, Emile Sauret, London Philharmonic Orchestra, Charles Dutoit | B Minor | 1 | 10A | 111 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Passacaglia (after the Passacaille from the Harpsichord Suite No. 7 in G minor) | George Frideric Handel, Lynn Harrell | G Minor | 2 | 6A | 74 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 117 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM |
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