"Suite española, Op. 47 - Transcr. Isaac Albéniz: No. 3 Sevilla" by Isaac Albéniz, Miloš Karadaglić was released on January 1, 2011. With this song being about 5 minutes long, at 5:11, "Suite española, Op. 47 - Transcr. Isaac Albéniz: No. 3 Sevilla" by Isaac Albéniz, Miloš Karadaglić is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Miloš Karadaglić's "Mediterráneo" album is number 3 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Suite española, Op. 47 - Transcr. Isaac Albéniz: No. 3 Sevilla is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite española, Op. 47 - Transcr. Isaac Albéniz: No. 3 Sevilla by Isaac Albéniz, Miloš Karadaglić to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidovic | B Minor | 1 | 10A | 74 BPM | ||
The Arts and the Hours (Arr. for Guitar by Michael Lewin) | Jean-Philippe Rameau, Miloš Karadaglić | C Major | 1 | 8B | 108 BPM | ||
Moving Mountains (Arr. Metcalfe, Ryan) | Miloš Karadaglić, 12 Ensemble, Katherine Tinker | C Minor | 1 | 5A | 148 BPM | ||
Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Sonata in E major, K.380 (Arr. for two guitars) | Domenico Scarlatti, Alexandre Lagoya, Ida Presti | E Major | 1 | 12B | 99 BPM | ||
Concerto No. 2 in G Minor, RV 439 "La Notte": VI. Allegro (Arr. for Guitar by Michael Lewin) | Antonio Vivaldi, Miloš Karadaglić, Jonathan Cohen, Arcangelo | G Minor | 3 | 6A | 119 BPM | ||
Sonata No.3: 2. Canción. Andante | Manuel Ponce, Miloš Karadaglić | D Minor | 0 | 7A | 112 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Concerto pour harpe en ut majeur: III. Rondeau. Allegro agitato | François-Adrien Boieldieu, Anaïs Gaudemard, Leo Hussain, Orchestre de l'Opéra de Rouen Normandie | C Minor | 2 | 5A | 97 BPM |
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