Academy of St. Martin in the Fields, Iona Brown's 'Serenade No. 13 En Sol, K. 525 "Eine Kleine Nachtmusik": Allegro' came out on May 30, 2008. Serenade No. 13 En Sol, K. 525 "Eine Kleine Nachtmusik": Allegro is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Mozart Pour Mon Bébé" album is number 1 out of 36. On top of that, France appears to be the country where this track was created. Based on our statistics, Serenade No. 13 En Sol, K. 525 "Eine Kleine Nachtmusik": Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Serenade No. 13 En Sol, K. 525 "Eine Kleine Nachtmusik": Allegro by Academy of St. Martin in the Fields, Iona Brown to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - Live at Konzerthaus Berlin / 2018 | Ludwig van Beethoven, Jan Lisiecki, Academy of St. Martin in the Fields, Tomo Keller | B Major | 0 | 1B | 84 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Elegy for Strings, Op. 58 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 0 | 4A | 169 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Bassoon Concerto in C Major, RV 477: II. Largo | Antonio Vivaldi, Academy of St. Martin in the Fields (orchestra); Gustavo Núñez (bassoon); Tomo Keller (musical direc, Gustavo Núñez, Tomo Keller | G Major | 0 | 9B | 115 BPM |
Section: 0.7970690727233887
End: 0.8047769069671631