"Phantasmagorilla? No! Phantasmagoria: My sweet boy I'm no ghost" by Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer was released on February 1, 2009. The duration of Phantasmagorilla? No! Phantasmagoria: My sweet boy I'm no ghost is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Phantasmagorilla? No! Phantasmagoria: My sweet boy I'm no ghost's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Phantasmagorilla? No! Phantasmagoria". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Phantasmagorilla? No! Phantasmagoria: My sweet boy I'm no ghost is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Phantasmagorilla? No! Phantasmagoria: My sweet boy I'm no ghost by Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem to the memory of Luiz Vaz de Camos Op. 23, Agnus Dei: Requiem aeternam | João Domingos Bomtempo, Michel Corboz | G Major | 0 | 9B | 88 BPM | ||
Emmeline: Act One: The Lord Has spared this child" | Santa Fe Opera | B♭ Minor | 1 | 3A | 78 BPM | ||
The Rake's Progress / Act 1/Scene 1: "The woods are green" | Igor Stravinsky, Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner | A Major | 1 | 11B | 77 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM | ||
Candide / Act II: 31. Make Our Garden Grow (Finale) | Leonard Bernstein, June Anderson, Della Jones, Christa Ludwig, Jerry Hadley, Nicolai Gedda, Kurt Ollmann, Adolph Green, London Symphony Orchestra, London Symphony Chorus | C Major | 2 | 8B | 168 BPM | ||
Constellations, Act II Scene 1: I think her function is completed | Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Dan Kempson | G Minor | 4 | 6A | 95 BPM | ||
Three Songs from William Shakespeare: Music to Hear | Igor Stravinsky, Ann Murray, Ensemble Intercontemporain, Pierre Boulez | A Major | 0 | 11B | 124 BPM | ||
Messa di Requiem: Agnus dei | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | C Major | 0 | 8B | 90 BPM | ||
Massenet: Manon, Act 2 Scene 5: "En fermant les yeux, je vois là-bas une humble retraite" (Des Grieux, Manon) | Jules Massenet, Roberto Alagna, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | E Minor | 0 | 9A | 78 BPM | ||
Il Dolce Suono (The 5th Element) | Opera Divas | A♭ Major | 1 | 4B | 79 BPM |
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