"Lohengrin: Act III - "In fernem Land, unnahbar euren Schritten"" by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner, Hannelore Kuhse, Martin Ritzmann was released on 1974. With this song being about 5 minutes long, at 4:58, "Lohengrin: Act III - "In fernem Land, unnahbar euren Schritten"" by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner, Hannelore Kuhse, Martin Ritzmann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Lohengrin (Highlights) by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner. The song's track number on the album is #8 out of 8 tracks. Lohengrin: Act III - "In fernem Land, unnahbar euren Schritten" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin: Act III - "In fernem Land, unnahbar euren Schritten" by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner, Hannelore Kuhse, Martin Ritzmann has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lohengrin: Act III - "In fernem Land, unnahbar euren Schritten" being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantaisie for Piano and Orchestra, L. 73: I. Andante ma non troppo | Claude Debussy, Martha Argerich, Staatskapelle Berlin, Daniel Barenboim | G Major | 1 | 9B | 91 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
12 Lieder von Schubert, S. 558: No. 4, Erlkönig, D. 328 | Franz Liszt, Evgeny Kissin | G Minor | 2 | 6A | 88 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte: Allegro vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | D Minor | 1 | 7A | 101 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Music to Goethe's Tragedy "Egmont", Op. 84 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 183 BPM | ||
Wagner: Der fliegende Holländer (The Flying Dutchman), Act 1: "Durch Sturm und bösen Wind verschlagen" (Dutchman, Daland) | Richard Wagner, Daniel Barenboim, Falk Struckmann, Robert Holl, Staatskapelle Berlin | D Major | 2 | 10B | 114 BPM | ||
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 117 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM |
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