Academy of St. Martin in the Fields's 'Holberg Suite, opus 40:Rigaudon (Allegro con brio)' came out on 1994. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 16 in Edvard Grieg: Orchestral Works (Classical Mastepieces) by Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Holberg Suite, opus 40:Rigaudon (Allegro con brio)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Holberg Suite, opus 40:Rigaudon (Allegro con brio) by Academy of St. Martin in the Fields is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 2. Andante | Antonio Vivaldi, Angel Romero, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown | E Minor | 1 | 9A | 182 BPM | ||
Symphony No. 7 in A Major, Op. 92: 4. Allegro con brio | Ludwig van Beethoven, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 3 | 7B | 153 BPM | ||
Holberg Suite, Op. 40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner, Stephen Shingles | G Major | 1 | 9B | 133 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Aufzug der Meistersinger | Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev | C Major | 2 | 8B | 94 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2: I. Allegro moderato (Cadenza by Rostropovich) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | D Major | 1 | 10B | 121 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Symphony No. 35 KV385 in DMajor "Haffner":Menuetto | Academy of St. Martin in the Fields, Iona Brown | A Major | 0 | 11B | 130 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM |
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