"La Bohème: Act III - ''La chambre qu'autrefois''" by Orchestre de Paris, Jean-Claude Hartemann, Geori Boue was released on January 30, 2012. The duration of La Bohème: Act III - ''La chambre qu'autrefois'' is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. La Bohème: Act III - ''La chambre qu'autrefois'''s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Singer Portrait - Géori Boué". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. La Bohème: Act III - ''La chambre qu'autrefois'' is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème: Act III - ''La chambre qu'autrefois'' by Orchestre de Paris, Jean-Claude Hartemann, Geori Boue having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia Varsovia | G Minor | 2 | 6A | 114 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Minor | 4 | 8A | 128 BPM | ||
Les Sylphides: 3. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 110 BPM | ||
Orpheus In The Underworld (Orphée aux enfers): Can-Can - Live | Jacques Offenbach, Wiener Philharmoniker, Lorin Maazel | D Major | 6 | 10B | 172 BPM | ||
Wiener Blut, Walzer, Op. 354 | Johann Strauss II, Semyon Bychkov, Wiener Philharmoniker | C Major | 1 | 8B | 172 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM | ||
Samson et Dalila / Act 1: Voici le printemps... | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham | B Major | 3 | 1B | 94 BPM |
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