"St. Matthew Passion, BWV 244: No. 75, Aria, 'Mache dich, mein Herze, rein'" by Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker was released on May 13, 2013. St. Matthew Passion, BWV 244: No. 75, Aria, 'Mache dich, mein Herze, rein' appears to be safe for all ages as it is not explicit. The track order of this song in Otto Klemperer's "J.S. Bach: St. Matthew Passion" album is number 75 out of 78. St. Matthew Passion, BWV 244: No. 75, Aria, 'Mache dich, mein Herze, rein' is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. Matthew Passion, BWV 244: No. 75, Aria, 'Mache dich, mein Herze, rein' by Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 9. (Evangelist und Chorus) "Aber am ersten Tag der süßen Brot" | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Ian Bostridge, Philippe Herreweghe | F♯ Major | 1 | 2B | 102 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM |
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