"Three Advent Carols: I. The Holy Son Of God" by Alun Hoddinott, Choir of St. John's College, Cambridge, George Guest was released on January 1, 1992. The duration of Three Advent Carols: I. The Holy Son Of God is about 3 minutes long, at 3:01. Based on our data, "Three Advent Carols: I. The Holy Son Of God" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "The Sound of St. John's". In this album, this song's track order is #15. Three Advent Carols: I. The Holy Son Of God is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Advent Carols: I. The Holy Son Of God by Alun Hoddinott, Choir of St. John's College, Cambridge, George Guest having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade: I. Phaedrus - Pausanias: Lento - Allegro | Leonard Bernstein, Philippe Quint, Timothy Walden, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Mini Sleeping Beauty | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): V. Floret silva nobilis (The noble forest) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 92 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | ||
The Bragger | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | E Minor | 0 | 9A | 172 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM |
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