Aurèle Nicolet's 'Boccherini: Flute Quintet In E-Flat Major, Op. 17 No. 6 G 424: Flute Quintet In E-Flat Major, Op. 17 No. 6 G 424: I. Larghetto' came out on March 10, 1992. The duration of Boccherini: Flute Quintet In E-Flat Major, Op. 17 No. 6 G 424: Flute Quintet In E-Flat Major, Op. 17 No. 6 G 424: I. Larghetto is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Boccherini: Flute Quintet In E-Flat Major, Op. 17 No. 6 G 424: Flute Quintet In E-Flat Major, Op. 17 No. 6 G 424: I. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Aurèle Nicolet's "Luigi Boccherini & Joseph Martin Kraus: Flute Quintets" album is number 10 out of 13. Boccherini: Flute Quintet In E-Flat Major, Op. 17 No. 6 G 424: Flute Quintet In E-Flat Major, Op. 17 No. 6 G 424: I. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Boccherini: Flute Quintet In E-Flat Major, Op. 17 No. 6 G 424: Flute Quintet In E-Flat Major, Op. 17 No. 6 G 424: I. Larghetto by Aurèle Nicolet to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 3. Air (Noblement) | François Couperin, Aurèle Nicolet, Christiane Nicolet, Heinz Holliger, Marie-Lise Schüpbach, Thomas Brandis, Chiara Banchini, Josef Ulsamer, Manfred Sax, Christiane Jaccottet | G Major | 0 | 9B | 118 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Flute Sonatina, Op. 76: I. Tendre | Darius Milhaud, Aurèle Nicolet, Oleg Maisenberg | B♭ Minor | 1 | 3A | 124 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Concerto For Strings In D Minor, RV 128: III. Allegro | Sonatori de la Gioiosa Marca, Antonio Vivaldi | D Minor | 6 | 7A | 71 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Concerto for Flute and Strings in G minor, Op.10, No.2, RV 439 " La notte": 3. Largo | Antonio Vivaldi, Aurèle Nicolet, I Musici | F♯ Minor | 0 | 11A | 127 BPM |
Section: 0.9850389957427979
End: 0.9886443614959717