Johann Wilhelm Wilms, Hans-Peter Stenzl, Volker Stenzl's 'Sonata for Piano 4 Hands in C Major, Op. 31: II. Andante' came out on January 1, 2008. Since Sonata for Piano 4 Hands in C Major, Op. 31: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wilms, J.W.: Sonatas for Piano 4 Hands - Opp. 31, 41 by Johann Wilhelm Wilms, Various Artists. The song's track number on the album is #2 out of 6 tracks. Sonata for Piano 4 Hands in C Major, Op. 31: II. Andante is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonata for Piano 4 Hands in C Major, Op. 31: II. Andante by Johann Wilhelm Wilms, Hans-Peter Stenzl, Volker Stenzl has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata for Piano 4 Hands in C Major, Op. 31: II. Andante being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
String Quintet in D Major, Op. 39, No. 3, G. 339: I. Allegro vivo | Luigi Boccherini, Quintetto Boccherini | D Major | 2 | 10B | 140 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian" (1834 version): III. Menuetto | Felix Mendelssohn, Jordi Savall, Le Concert Des Nations | F Major | 1 | 7B | 120 BPM | ||
Variations on a Russian Folk Song - for String Quartet: Variation 10. Finale, Allegro: Sokolov | Nikolai Rimsky-Korsakov, Alexander Scriabin, Kuss Quartet | D Major | 1 | 10B | 133 BPM | ||
Serenade in G Major, K. 525, "Eine Kleine Nachtmusik": II. Romanze: Andante | Bellybuds | C Major | 0 | 8B | 118 BPM | ||
Klarinettenkonzerte Nr.1op.73 & Nr.2 op.74 · Concertino op.26, Konzert für Klarinette und Orchester Nr.2 Es-dur op.74: III. Alla Polacca | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | E♭ Major | 2 | 5B | 118 BPM | ||
The Wand of Youth, Suite No. 1, Op. 1a: III. Minuet (Old Style) - 2023 Remastered Version | Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra | G Major | 3 | 9B | 75 BPM | ||
Clarinet Concerto No. 3 | Carl Stamitz, Chris Swann, Ian Buckle | B♭ Major | 1 | 6B | 123 BPM | ||
Les Danaïdes, Acte I Scène 1: Air de danse | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM |
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