"Poésie pour pouvoir (1958) for Tape and Three Orchestras - From the Poem by Henri Michaux" by SWR Symphony Orchestra was released on July 21, 2009. Poésie pour pouvoir (1958) for Tape and Three Orchestras - From the Poem by Henri Michaux appears to be safe for all ages as it is not explicit. There is only one song in 20th Century Classics - The Premiere Performances, so we believe that "Poésie pour pouvoir (1958) for Tape and Three Orchestras - From the Poem by Henri Michaux" is a single. Poésie pour pouvoir (1958) for Tape and Three Orchestras - From the Poem by Henri Michaux is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poésie pour pouvoir (1958) for Tape and Three Orchestras - From the Poem by Henri Michaux by SWR Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Peter Oundjian, Toronto Symphony Orchestra, Jonathan Crow | F♯ Major | 3 | 2B | 133 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Daphnis et Chloé Suite No. 2, M. 57b: III. Danse générale | Maurice Ravel, SWR Symphony Orchestra, Ernest Bour | D♭ Major | 1 | 3B | 94 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Eintritt in den Wald (Entry into the Wood) - | Richard Strauss, SWR Symphony Orchestra, François-Xavier Roth | G Major | 2 | 9B | 93 BPM | ||
Symphony No. 4 in D Minor, Op. 120 (1851): III. Scherzo. Lebhaft | Robert Schumann, SWR Symphony Orchestra, Hans Rosbaud | D Minor | 2 | 7A | 109 BPM | ||
La Cenerentola (Cinderella): Act I Scene 3: Recitative - Signora Altezza, in tavola (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini, Alidoro) | Gioachino Rossini, Joyce DiDonato, Jose Manuel Zapata, Paolo Bordogna, Bruno Pratico, Patrizia Cigna, Martina Borst, Luca Pisaroni, Marco Bellei, Prague Chamber Chorus, SWR Symphony Orchestra, Alberto Zedda | D Major | 1 | 10B | 69 BPM | ||
Grand Galop chromatique in E-Flat Major, S. 219 | Franz Liszt, Lang Lang | A♭ Major | 3 | 4B | 153 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM |
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