"Tannhäuser, WWV 70, Act III: "Allmächt'ge Jungfrau, hör' mein Flehen!"" by Maria Jeritza was released on January 1, 2000. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 12 in Court Opera Classics by Maria Jeritza. In terms of popularity, Tannhäuser, WWV 70, Act III: "Allmächt'ge Jungfrau, hör' mein Flehen!" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tannhäuser, WWV 70, Act III: "Allmächt'ge Jungfrau, hör' mein Flehen!" by Maria Jeritza is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lehár: Eva: "Wär es auch nichts als ein Traum vom Glück" (Eva) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM | ||
Alma mía | Ángeles Ottein, C. Galeffi, Anibal Vela | D Minor | 5 | 7A | 116 BPM | ||
Teil 5 - Folge 12: Stimmen aus dem Jenseits | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Otto Czarski, Jürgen Thormann, Maria Axt, Hans-Werner Bussinger, Paul Paulschmidt | A♭ Major | 2 | 4B | 84 BPM | ||
Ave, Verum Corpus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Las Golondrinas, Final, I parte: "¡Qué linda es Colombina!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Coro del Gran Teatro del Liceo de Barcelona | A Major | 3 | 11B | 71 BPM | ||
格里格的小夜曲 | 东京爱乐交响乐团 | A Major | 3 | 11B | 86 BPM | ||
Carmen Suite No. 1: Entr'acte (Act III) | Georges Bizet, Willem van Otterloo, Residentie Orkest | E♭ Major | 4 | 5B | 98 BPM | ||
La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
Trois mélodies: No. 3, Toi qui te connais mal | Emil Gouè, Orchestra Musica Concentrationaria, Francesco Lotoro, Giovanni Zonno, Cataldo De Palma, Luciano Tarantino, Libera Granatiero | G Major | 3 | 9B | 108 BPM |
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