"The Miraculous Mandarin Suite, Op. 19, BB 82 / Sz 73 I. Introduction (street noises). The command of the hoodlums directed at the girl." by Béla Bartók, Paavo Järvi, NHK Symphony Orchestra was released on April 12, 2023. The duration of The Miraculous Mandarin Suite, Op. 19, BB 82 / Sz 73 I. Introduction (street noises). The command of the hoodlums directed at the girl. is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. The Miraculous Mandarin Suite, Op. 19, BB 82 / Sz 73 I. Introduction (street noises). The command of the hoodlums directed at the girl.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 11 in Bartok: Concerto for Orchestra / The Miraculous Mandarin Suite by Béla Bartók, Paavo Järvi, NHK Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The Miraculous Mandarin Suite, Op. 19, BB 82 / Sz 73 I. Introduction (street noises). The command of the hoodlums directed at the girl. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Miraculous Mandarin Suite, Op. 19, BB 82 / Sz 73 I. Introduction (street noises). The command of the hoodlums directed at the girl. by Béla Bartók, Paavo Järvi, NHK Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 12. Tempo di menuetto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | D Minor | 0 | 7A | 79 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM |
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