Malcolm Arnold, London Symphony Orchestra, Richard Hickox made "The Bridge on the River Kwai: II. Colonel Bogey (Arr. C. Palmer)" available on November 1, 1992. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 16 in Arnold, M.: Film Music, Vol. 1 by Malcolm Arnold, Richard Hickox. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Bridge on the River Kwai: II. Colonel Bogey (Arr. C. Palmer)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Bridge on the River Kwai: II. Colonel Bogey (Arr. C. Palmer) by Malcolm Arnold, London Symphony Orchestra, Richard Hickox is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto | Dag Wirén, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 129 BPM | ||
Henry V (adapted by Christopher Palmer): IV. Interlude: Touch her Soft Lips and Part | William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny | A Minor | 2 | 8A | 127 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
Armenian Dances: Part II: I. Hov Arek | Alfred Reed, Taiwan Wind Ensemble, John P. Boyd | A Minor | 1 | 8A | 128 BPM | ||
Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly, Claire Briggs, Susanna Cohen | C Minor | 0 | 5A | 103 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 211 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
The Hounds of Spring | Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra | F Major | 1 | 7B | 90 BPM |
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