On October 9, 2021, the song "Partita (French Overture) For Harpsichord in B Minor, BWV 831: 7. Gigue" was released by Johann Sebastian Bach, Walter Gieseking. With Partita (French Overture) For Harpsichord in B Minor, BWV 831: 7. Gigue being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 314 out of 384 in Cosy Bach by Johann Sebastian Bach, Various Artists. In terms of popularity, Partita (French Overture) For Harpsichord in B Minor, BWV 831: 7. Gigue is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Partita (French Overture) For Harpsichord in B Minor, BWV 831: 7. Gigue by Johann Sebastian Bach, Walter Gieseking is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Bach, JS: Concerto for 4 Keyboards in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Michel Dalberto, Anne Queffélec, Jacques Gauthier, Pascal Devoyon, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | A Minor | 2 | 8A | 105 BPM | ||
Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: III. Allegro | Johann Sebastian Bach, Andrei Gavrilov, Academy of St. Martin in the Fields, Sir Neville Marriner, John Constable | D Minor | 3 | 7A | 114 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: II. Allegro | Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez | F♯ Minor | 3 | 11A | 62 BPM | ||
Brandenburg Concerto No. 6 in B flat, BWV 1051: 1. (Allegro) - Live From Teatro Romolo Valli, Reggio Emilia, Italy/2007 | Johann Sebastian Bach, Danusha Waskiewicz, Simone Jandl, Rainer Zipperling, Sabina Colonna Preti, Enrico Bronzi, Alois Posch, Ottavio Dantone, Orchestra Mozart, Claudio Abbado | E♭ Major | 2 | 5B | 93 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM |
Section: 0.768826961517334
End: 0.7735836505889893