"Manon: Je marche sur tous les chemins" by Jules Massenet, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate was released on August 8, 1995. With this song being about 5 minutes long, at 5:06, "Manon: Je marche sur tous les chemins" by Jules Massenet, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 12 in Diva - Kiri Te Kanawa by Kiri Te Kanawa. In terms of popularity, Manon: Je marche sur tous les chemins is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Manon: Je marche sur tous les chemins by Jules Massenet, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Romeo and Juliet, Op. 64: No. 22 Folk Dance | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | G Major | 1 | 9B | 124 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "E Susanna non vien!" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 98 BPM | ||
Romeo and Juliette, Act II: Adieu mille fois!....Va repose en paix | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Donizetti: Roberto Devereux, Act 3: "Ne riede ancora il mio consorte!" (Sara) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | D Major | 0 | 10B | 171 BPM | ||
Ombre légère | Giacomo Meyerbeer, Anna Moffo, Tullio Serafin | D♭ Major | 1 | 3B | 112 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Lucia Popp, Tom Krause, Vienna Haydn Orchestra, István Kertész | A Major | 3 | 11B | 96 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
Werther: Act III: Werther! Werther!... Qui m'aurait dit | Jules Massenet, Georges Thill, Ninon Vallin, Paris National Opera Chorus, Paris National Opera Orchestra, Elie Cohen | G Minor | 1 | 6A | 100 BPM | ||
Romeo and Juliet, Op. 64: No. 15 Mercutio | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A♭ Major | 1 | 4B | 154 BPM |
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