"Symphoniae Sacrae III, Op. 12: Saul, Saul, was verfolgst du mich, SWV 415" by Heinrich Schütz, Cantus Cölln, Konrad Junghanel was released on 2005. The duration of Symphoniae Sacrae III, Op. 12: Saul, Saul, was verfolgst du mich, SWV 415 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Symphoniae Sacrae III, Op. 12: Saul, Saul, was verfolgst du mich, SWV 415's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Schütz: Symphoniae Sacrae III, Op. 12". In this album, this song's track order is #8. Symphoniae Sacrae III, Op. 12: Saul, Saul, was verfolgst du mich, SWV 415 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphoniae Sacrae III, Op. 12: Saul, Saul, was verfolgst du mich, SWV 415 by Heinrich Schütz, Cantus Cölln, Konrad Junghanel having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | A♭ Minor | 2 | 1A | 121 BPM | ||
Missa Pro Defunctis - Benedictus | Jordi Savall, Cristobal de Morales | B♭ Major | 1 | 6B | 138 BPM | ||
Bonjour, mon cœur | Orlande de Lassus, Amarcord | A Minor | 2 | 8A | 137 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Cor meum conturbatum est, IOL 58 | Orlande de Lassus, Pro Musica, Szabó Dénes | D Minor | 1 | 7A | 82 BPM | ||
Jesu, meine Freude, BWV 227: IX. Gute Nacht, o Wesen - Live | Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung | A♭ Minor | 2 | 1A | 125 BPM | ||
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | C Major | 2 | 8B | 138 BPM | ||
Miserere: IV. Ecce enim veritatem dilexisti ; Asparges me hysopo - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM |
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