"Requiem in D Minor, K. 626: VII. Agnus Dei" by Budapest Concert Orchestra was released on January 7, 2019. The duration of Requiem in D Minor, K. 626: VII. Agnus Dei is about 3 minutes long, at 3:09. Based on our data, "Requiem in D Minor, K. 626: VII. Agnus Dei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wolfgang Amedeus Mozart: Requiem in D Minor KV 626 by Budapest Concert Orchestra. The song's track number on the album is #13 out of 14 tracks. Requiem in D Minor, K. 626: VII. Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem in D Minor, K. 626: VII. Agnus Dei by Budapest Concert Orchestra has a tempo of 48 beats per a minute, the tempo markings of this song would be Lento (slowly). With Requiem in D Minor, K. 626: VII. Agnus Dei being at 48 BPM, the half-time would be 24 BPM with a double-time of 96 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626: I. Introitus | Budapest Concert Orchestra | D Minor | 1 | 7A | 81 BPM | ||
Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": I. Allegro | Franz Joseph Haydn, Kodály Quartet | G Major | 1 | 9B | 99 BPM | ||
Lalo: Symphonie espagnole, Op. 21: IV. Andante | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | D Major | 1 | 10B | 96 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, SWR Symphony Orchestra, Michael Gielen | A♭ Major | 0 | 4B | 89 BPM | ||
La scala di seta (The Silken Ladder): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | C Major | 1 | 8B | 122 BPM | ||
Music for String Instruments, Percussion and Celesta: Adagio | Béla Bartók, SWF Symphony Orchestra, Zoltan Pesko | A♭ Major | 1 | 4B | 62 BPM | ||
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
Má vlast (My Country): No. 3, Šárka | Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 1 | 11B | 95 BPM | ||
Egmont Overture, Op.84: Overture | Kurt Sanderling | F Minor | 1 | 4A | 79 BPM |
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