Hiroshi Itsuki made "おまえとふたり" available on 0000. The duration of おまえとふたり is about 3 minutes long, at 3:27. Based on our data, "おまえとふたり" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ベストセレクションIII(1971-1994)~おまえとふたり~, so we believe that "おまえとふたり" is a single. The popularity of おまえとふたり is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of おまえとふたり by Hiroshi Itsuki is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
瀬戸の花嫁 | Mineko Nishikawa | G Major | 3 | 9B | 91 BPM | ||
夕陽は赤く | Yuzo Kayama | E Major | 4 | 12B | 109 BPM | ||
Kara Tachi Nikki | Chiyoko Shimakura | C Major | 2 | 8B | 99 BPM | ||
この空を飛べたら | Tokiko Kato | F Minor | 3 | 4A | 130 BPM | ||
岸壁の母 | 二葉百合子 | A Major | 3 | 11B | 138 BPM | ||
なのにあなたは京都へゆくの | Cherish | F Major | 4 | 7B | 87 BPM | ||
沈丁花 | Sayuri Ishikawa | E Minor | 6 | 9A | 100 BPM | ||
流恋草 | Kaori Kozai | D Minor | 6 | 7A | 117 BPM | ||
りばいばる | Naoko Ken | B♭ Minor | 4 | 3A | 120 BPM | ||
影法師 | Kaori Kozai | G Minor | 5 | 6A | 98 BPM |
Section: 0.49175310134887695
End: 0.4964570999145508