London Philharmonic Orchestra made "Sweet Caroline" available on January 1, 2008. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 11 in Classical Songs Of Neil Diamond by London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Sweet Caroline's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sweet Caroline by London Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
The Planets Suite, Op. 32: I. Mars | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | A♭ Major | 4 | 4B | 77 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Major | 0 | 9B | 181 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Die Fledermaus (The Bat), Overture (RV 503-1) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | D Major | 1 | 10B | 99 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
The Armed Man - A Mass For Peace: XI. Now the Guns Have Stopped | Karl Jenkins, London Philharmonic Orchestra | D Minor | 1 | 7A | 81 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 1 in E Major, RV 269, "La Primavera". III. Allegro | Antonio Vivaldi, Itzhak Perlman, London Philharmonic Orchestra | E Major | 1 | 12B | 79 BPM | ||
Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 127 BPM | ||
Ave Maria (after J.S. Bach) | London Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM |
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