"Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix)" by Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi was released on August 16, 2011. Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The track order of this song in Dame Joan Sutherland's "Joan Sutherland "La Stupenda"" album is number 7 out of 10. Based on our statistics, Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) by Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: Largo al factotum | Gioachino Rossini, Riccardo Chailly, Leo Nucci, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 71 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
La Wally, Act I: Ebben?... Ne andrò lontana (Wally) | Alfredo Catalani, Orchestra di Roma della RAI, Arturo Basile, Renata Tebaldi | E Minor | 1 | 9A | 81 BPM | ||
Norma / Act 2: Qual cor tradisti, qual cor perdesti | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | G Major | 2 | 9B | 53 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 1: "Non sperar, se non m'uccidi" (Donna Anna, Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | B♭ Major | 3 | 6B | 94 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM |
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