"Concerto for Orchestra, Sz.116 (1989 - Remaster): I. Introduzione (Andante non troppo - Allegro vivace)" by Berliner Philharmoniker, Herbert von Karajan was released on March 7, 2011. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Best Berliner Philharmoniker, so we believe that "Concerto for Orchestra, Sz.116 (1989 - Remaster): I. Introduzione (Andante non troppo - Allegro vivace)" is a single. In terms of popularity, Concerto for Orchestra, Sz.116 (1989 - Remaster): I. Introduzione (Andante non troppo - Allegro vivace) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Orchestra, Sz.116 (1989 - Remaster): I. Introduzione (Andante non troppo - Allegro vivace) by Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Symphony No.7 in E major: Excerpt of 2nd movement | Anton Bruckner, Berliner Philharmoniker, Wilhelm Furtwängler | D♭ Minor | 1 | 12A | 94 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Symphony No. 1: II. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich | Gustav Mahler, Berliner Philharmoniker, Daniel Harding | A Major | 1 | 11B | 169 BPM | ||
Concerto for Strings in G Major, RV 151, "Alla Rustica": I. Presto | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | D Major | 3 | 10B | 107 BPM | ||
Der Freischütz, Op. 77, J. 277: Entr'acte | Carl Maria von Weber, Berliner Philharmoniker, Wilhelm Furtwängler | A Major | 2 | 11B | 111 BPM | ||
Orpheus In The Underworld (Orphée aux enfers): Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM |
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