Chicago Symphony Orchestra's 'Rosen Aus Dem Süden, Op. 388' came out on July 11, 2014. Since Rosen Aus Dem Süden, Op. 388 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "The Waltz King". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The popularity of Rosen Aus Dem Süden, Op. 388 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rosen Aus Dem Süden, Op. 388 by Chicago Symphony Orchestra having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wedding Day at Troldhaugen | Edvard Grieg, Joseph Cooper | E Major | 1 | 12B | 78 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Overture to The Barber of Seville | Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | E Major | 2 | 12B | 94 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Violin Concerto No. 4 in F Minor, RV 297 "L'Inverno": I. Allegro non molto | Antonio Vivaldi, Vladimir Spivakov, Moscow Virtuosi | F Minor | 4 | 4A | 147 BPM | ||
Violin Concerto No. 2 in G Minor, RV 315, "L'Estate": III. Presto | Antonio Vivaldi, Vladimir Spivakov | C Minor | 4 | 5A | 158 BPM |
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