"Rappresentatione di Anima, et di Corpo: Sinfonia" by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar was released on January 1, 2004. The duration of Rappresentatione di Anima, et di Corpo: Sinfonia is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Rappresentatione di Anima, et di Corpo: Sinfonia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 31 in Cavalieri: Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Rappresentatione di Anima, et di Corpo: Sinfonia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di Anima, et di Corpo: Sinfonia by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM | ||
Ballet des fous et des estropiés de la cervelle: III. Entrée des Fantasques | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Major | 1 | 9B | 112 BPM | ||
"Mille Regretz" (Després) | The Hilliard Ensemble | B Major | 1 | 1B | 83 BPM | ||
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM | ||
Tiento | Alonso Mudarra, Shirley Rumsey | F Major | 0 | 7B | 106 BPM | ||
Lamentationes 1599: Prima Die. Lectio Secunda | Emilio de' Cavalieri, Gesualdo Consort Amsterdam, Harry Van Der Kamp | C Major | 2 | 8B | 92 BPM | ||
Tota pulchra es | Jean Mouton, Alamire, David Skinner | D Minor | 3 | 7A | 128 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Repons: Caligaverunt oculi mei | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Major | 1 | 4B | 80 BPM |
Section: 0.6847360134124756
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