"Véritables Préludes flasques (pour un chien): On joue" by Erik Satie, Alexandre Tharaud was released on January 20, 2009. With Véritables Préludes flasques (pour un chien): On joue being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #6. In terms of popularity, Véritables Préludes flasques (pour un chien): On joue is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Véritables Préludes flasques (pour un chien): On joue by Erik Satie, Alexandre Tharaud having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. 6 | Clara Schumann, Lisa Maria Schachtschneider | B Minor | 0 | 10A | 77 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: Lensky's Aria (Arr. Auer / Orch. Rot) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | E Minor | 2 | 9A | 100 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Chopin: Mazurka No. 47 in A Minor, Op. Posth. 68 No. 2 | Frédéric Chopin, Alexandre Tharaud | G Major | 1 | 9B | 70 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: III. Allegro | Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie, Les Violins du Roy | A Minor | 2 | 8A | 118 BPM | ||
100 Transcendental Studies: No. 18: Liscio. Tranquillamente scorrevole | Kaikhosru Sorabji, Fredrik Ullén | E Minor | 1 | 9A | 142 BPM |
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