"The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity" by Melbourne Symphony Orchestra was released on March 8, 2011. Since The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Melbourne Symphony Orchestra's "Gustav Holst: The Planets" album is number 4 out of 8. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity by Melbourne Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swordfight At 34th Street Highlander - The Final Dimension | Diverse | F Minor | 3 | 4A | 72 BPM | ||
End of the Road (with The Melbourne Symphony Orchestra) | Anthony Callea, Melbourne Symphony Orchestra | D♭ Major | 5 | 3B | 150 BPM | ||
Pines Of Rome | Chicago Symphony Orchestra | F Major | 2 | 7B | 80 BPM | ||
Carmina Burana: No. 1, Fortuna Imperatrix Mundi, "O Fortuna" | Carl Orff, Anima Eterna, Collegium Vocale Gent, Cantate Domino, Jos Van Immerseel | D Major | 3 | 10B | 134 BPM | ||
Shroud for a Nightingale | Richard Harvey, Richard Chase, Studio Orchestra | D♭ Major | 3 | 3B | 88 BPM | ||
Swimming like a Fish | Nigel Westlake, Melbourne Symphony Orchestra, Benjamin Northey | C Major | 2 | 8B | 115 BPM | ||
Champion | Kate Ceberano, Melbourne Symphony Orchestra | C Major | 2 | 8B | 90 BPM | ||
Musique pour orchestre, "Symphony No. 8": I. Allegro con moto | Alexandre Tansman, Oleg Caetani, Melbourne Symphony Orchestra | E Minor | 1 | 9A | 129 BPM | ||
Musique pour orchestre, "Symphony No. 8": IV. Finale. Andante sostenuto | Alexandre Tansman, Oleg Caetani, Melbourne Symphony Orchestra | E Minor | 0 | 9A | 145 BPM | ||
The Greatest Champion | Melbourne Symphony Orchestra, Nigel Westlake | F Minor | 1 | 4A | 76 BPM |
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