Johann Strauss I, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli made "Furioso Galopp, Op. 114 (Adapt. by Nikoloz Rachveli for Violin and Orchestra) - VIENNA" available on June 5, 2020. The duration of Furioso Galopp, Op. 114 (Adapt. by Nikoloz Rachveli for Violin and Orchestra) - VIENNA is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Furioso Galopp, Op. 114 (Adapt. by Nikoloz Rachveli for Violin and Orchestra) - VIENNA's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in City Lights by Lisa Batiashvili, Berlin Radio Symphony Orchestra, Georgian Philharmonic Orchestra, Nikoloz Rachveli. The popularity of Furioso Galopp, Op. 114 (Adapt. by Nikoloz Rachveli for Violin and Orchestra) - VIENNA is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Furioso Galopp, Op. 114 (Adapt. by Nikoloz Rachveli for Violin and Orchestra) - VIENNA by Johann Strauss I, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | A♭ Major | 4 | 4B | 126 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
Symphony No 40: Molto Allegro | The Slovak Philharmonic Orchestra, Libor Pesek | G Minor | 1 | 6A | 88 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 9 Wedding March | Felix Mendelssohn, Royal Concertgebouw Orchestra, George Szell | G Minor | 2 | 6A | 132 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Des Matrosen Heimkehr: Tanz der Schiffsjungen | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | D Major | 2 | 10B | 168 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM |
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