"Turandot, SC 91, Act III: Nessun dorma!" by Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta was released on January 1, 1973. The duration of Turandot, SC 91, Act III: Nessun dorma! is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Turandot, SC 91, Act III: Nessun dorma!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Puccini: Turandot - Highlights". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Turandot, SC 91, Act III: Nessun dorma! is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot, SC 91, Act III: Nessun dorma! by Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spargi d’amaro pianto | Renata Scotto | E♭ Major | 1 | 5B | 129 BPM | ||
La Sonnambula / Act 1: "Perdona, o mia diletta...Prendi: L'anel ti dono" | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 79 BPM | ||
Nessun dorma!...from Turandot - Vocal | Giacomo Puccini, José Carreras, Lorin Maazel | B♭ Minor | 1 | 3A | 112 BPM | ||
Panis Angelicus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
Fourteen Songs, Op. 34: 14. Vocalise | Sergei Rachmaninoff, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D♭ Minor | 1 | 12A | 169 BPM | ||
Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Ich Bin Der Welt... (Ruckert - Lider N°5) | José van Dam | E♭ Major | 1 | 5B | 68 BPM | ||
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM |
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