Ton Koopman made "Fuge G-Moll BWV 578" available on February 8, 1990. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 9 in Bach: Orgelwerke IV by Ton Koopman. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Fuge G-Moll BWV 578 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Fuge G-Moll BWV 578 by Ton Koopman is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Christ lag in Todesbanden" BWV 4: [Duetto] (Soprano, Alto) Versus II: "Den Tod niemand zwingen kunnt" | Johann Sebastian Bach, Ton Koopman | B Minor | 1 | 10A | 71 BPM | ||
Mozart: Divertimento in B-Flat Major, K. 137 "Salzburg Symphony No. 2": II. Allegro di molto | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | C Major | 0 | 8B | 127 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 0 | 3A | 82 BPM | ||
Flute Concerto in D Major, TWV 51:D1: I. Andante | Georg Philipp Telemann, Barthold Kuijken, Indianapolis Baroque Orchestra | F Major | 3 | 7B | 128 BPM | ||
Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio | George Frideric Handel, Karl Richter, Karl Richter Chamber Orchestra | E Minor | 0 | 9A | 140 BPM | ||
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 32, Aria mit Choral. "Mein teurer Heiland" | Johann Sebastian Bach, Ton Koopman, De Nederlandse Bachvereniging, Klaus Mertens, Amsterdam Baroque Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Sinfonia No. 10 in C Major: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 125 BPM | ||
Sinfonia Nо. 3 in fa minore (La morte d'Abel): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Missa Dolorosa: I. Kyrie | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |
Section: 0.7645342350006104
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