- BPM
- 102
- Key
- A Minor
- Camelot
- 8A
La Damnation de Faust, Op. 24 / Part 1: Marche hongroise - Hector Berlioz, Orchestre des Concerts Lamoureux, Igor Markevitch Information
- Acousticness
- 60%
- Danceability
- 48%
- Energy
- 43%
- Instrumentalness
- 92%
- Liveness
- 17%
- Loudness
- 81%
- Speechiness
- 3%
- Valence
- 56%
- Popularity
- 28%
- Loudness
- -11.376 dB
Summary
Hector Berlioz, Orchestre des Concerts Lamoureux, Igor Markevitch made "La Damnation de Faust, Op. 24 / Part 1: Marche hongroise" available on 1960. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 30 in Berlioz: La Damnation de Faust (Igor Markevitch – The Deutsche Grammophon Legacy: Volume 10) by Hector Berlioz, Richard Verreau, Consuelo Rubio, Michel Roux, Pierre Mollet, Orchestre des Concerts Lamoureux, Igor Markevitch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, La Damnation de Faust, Op. 24 / Part 1: Marche hongroise is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
La Damnation de Faust, Op. 24 / Part 1: Marche hongroise BPM
The tempo marking of La Damnation de Faust, Op. 24 / Part 1: Marche hongroise by Hector Berlioz, Orchestre des Concerts Lamoureux, Igor Markevitch is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
La Damnation de Faust, Op. 24 / Part 1: Marche hongroise Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Rudolf Kempe, Munich Philharmonic Orchestra | D Major | 3 | 10B | 84 BPM | |
 | Symphonie fantastique, Op. 14, H. 48: II. Un bal - Live | Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 88 BPM | |
 | Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre | Frédéric Chopin, Martha Argerich | D Major | 7 | 10B | 172 BPM | |
 | Rhapsodie Hongroise N° 2 | Franz Liszt, Giovanni Bellucci | A Major | 2 | 11B | 107 BPM | |
 | Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | |
 | The Tale Of Tsar Saltan - Arr. Grigory Feygin: The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | A Major | 3 | 11B | 92 BPM | |
 | Die Fledermaus: Overture | Johann Strauss II, Wiener Philharmoniker, André Previn | A Major | 2 | 11B | 90 BPM | |
 | Trio pour piano et violoncelle en Mi Bémol Majeur, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Andreas Staier, Daniel Sepec, Roel Dieltiens | C Minor | 0 | 5A | 96 BPM | |
 | Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | |
 | Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM |
- ISRC
- DEF055930404
- Label
- L-M Records/RCA Records
Section: 0.6521031856536865
End: 0.6554009914398193