Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner made "The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l" available on June 8, 2021. With The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart's "Mozart for the Great Outdoors" album is number 167 out of 185. On top of that, Netherlands appears to be the country where this track was created. The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 11 in A Major, K. 331: 1. Theme (Andante grazioso) | Wolfgang Amadeus Mozart, Alicia de Larrocha | A Major | 0 | 11B | 91 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D Major | 0 | 10B | 97 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM | ||
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM | ||
Le Nozze di Figaro (The Marriage of Figaro), K. 492: Overture | Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Patrizia Pace, Jozsef Mukk, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | D Major | 1 | 10B | 141 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |
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