On April 14, 2023, the song "French Suite No. 5 in G Major, BWV 816: IV. Gavotte" was released by Johann Sebastian Bach, Bruce Liu. With French Suite No. 5 in G Major, BWV 816: IV. Gavotte being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Bruce Liu's "J.S. Bach: French Suite No. 5 in G Major, BWV 816" album is number 4 out of 7. On top of that, Germany appears to be the country where this track was created. The popularity of French Suite No. 5 in G Major, BWV 816: IV. Gavotte is currently average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of French Suite No. 5 in G Major, BWV 816: IV. Gavotte by Johann Sebastian Bach, Bruce Liu to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 1 No. 11: I. Largo | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 1 | 5A | 127 BPM | ||
6 Pieces for Organ: No. 3. Prelude, fugue et variation in B Minor, Op. 18, M. 30 (arr. I. Friedman for piano) | Ignaz Friedman, César Franck, Joseph Banowetz | B Minor | 0 | 10A | 179 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
13 Preludes, Op. 32: XII. Allegro | Sergei Rachmaninoff, Sergei Babayan | D♭ Minor | 0 | 12A | 67 BPM | ||
The Art of Fugue, BWV 1080: Contrapunctus I, a 4 | Johann Sebastian Bach, Cuarteto Casals | D Minor | 1 | 7A | 113 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: I. Obsession. Prèlude | Eugène Ysaÿe, Hilary Hahn | A Minor | 1 | 8A | 106 BPM | ||
String Quartet in E-Flat Major: I. Adagio ma non troppo | Fanny Mendelssohn, Asasello Quartett | A♭ Major | 1 | 4B | 103 BPM | ||
Intimate Sketches: No. 13, Lord Jesus Christ is Born | Leoš Janáček, Olena Kushpler | B♭ Major | 1 | 6B | 99 BPM | ||
Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): II. Larghetto (Arr. Perroy for Guitar) | Johann Sebastian Bach, Raphaël Feuillâtre | B♭ Major | 0 | 6B | 83 BPM |
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