"Silverbarn" by Jeanette Köhn was released on January 1, 1996. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Välkommen - dopsånger by Various Artists. The song's track number on the album is #7 out of 13 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Silverbarn is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Silverbarn by Jeanette Köhn has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Silverbarn being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Godi turba mortal | Emilio de' Cavalieri, Theatro dei Cervelli, Andrés Locatelli | G Major | 0 | 9B | 94 BPM | ||
Consolatrix Afflictorum | Elmar Lehnen, Consonanz à 4 | F Major | 2 | 7B | 85 BPM | ||
Con amores, la mi madre (arr. Bob Chilcott) | Juan de Anchieta, Tenebrae Consort, Nigel Short | F Major | 0 | 7B | 137 BPM | ||
Augen, Ohren und Herz | Athesinus Consort Berlin, Klaus-Martin Bresgott, Carsten Gerlitz, Uwe Steinmetz, Michael Metzler, Stefan Quirin Drexlmeier, Stephan M. Gähler, Heike O. Scheel, Ulrike Barth | E♭ Major | 3 | 5B | 68 BPM | ||
Hymnen, Op. 140: Nr. 4 Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | ||
Mot Kveld, Op. 42 No. 7 | Agathe Backer Grøndahl, Sølvguttene | D♭ Major | 1 | 3B | 75 BPM | ||
Suite Nordestina: III. Bumba chora | Ronaldo Miranda, Cheng Man Wai, Cantoría Hong Kong, John Winzenburg | B♭ Minor | 1 | 3A | 76 BPM | ||
Triptych 07: Divine Spirit | Kastalski Mixed Choir | B♭ Minor | 2 | 3A | 124 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, Marietta Simpson | A Major | 1 | 11B | 123 BPM |
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