"Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano)" by Edward Elgar, Edgar Moreau, Pierre-Yves Hodique was released on March 3, 2014. The duration of Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Play - Works for Cello and Piano". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) by Edward Elgar, Edgar Moreau, Pierre-Yves Hodique having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
The Four Seasons, Violin Concerto No. 4 in F Minor, RV 297 "Winter": II. Largo | Antonio Vivaldi, Dmitry Sinkovsky, La Voce Strumentale | E♭ Major | 1 | 5B | 83 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Violin Concerto In D, Op. 61: 2. Larghetto - | Ludwig van Beethoven, Vadim Repin, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 74 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
Schumann: Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Maria João Pires | F Major | 0 | 7B | 66 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM |
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