Niccolò Paganini, Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit made "Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette, 'La campanella'" available on January 1, 1986. Since Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette, 'La campanella' is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Paganini: Violin Concertos Nos.1 & 2". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette, 'La campanella' is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette, 'La campanella' by Niccolò Paganini, Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano No. 2 in G Major, Op. 13: III. Allegro animato | Edvard Grieg, Salvatore Accardo, Stefania Redaelli | D Major | 0 | 10B | 75 BPM | ||
Violin Concerto In E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | E Minor | 1 | 9A | 81 BPM | ||
Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa | Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 96 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 95 BPM | ||
Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow" | Sergei Rachmaninoff, Alexandre Tharaud | F♯ Minor | 1 | 11A | 77 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Polonaise in A-Flat Major, Op. 53 "Heroic" | Frédéric Chopin, Lang Lang | E Minor | 0 | 9A | 75 BPM |
Section: 1.618309736251831
End: 1.6218512058258057