"Capriccio Espagnol, Op. 34" by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 1990. Capriccio Espagnol, Op. 34 appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Tchaikovsky: Overture "1812"; Marche slave / Borodin: In the Steppes; Polovtsian Dances / Rimsky-Korsakov: Russian Easter; Capriccio". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Capriccio Espagnol, Op. 34 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio Espagnol, Op. 34 by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Spartacus Ballet Suite No. 2: I. Adagio of Spartacus and Phrygia | Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Eldar Nebolsin | G Minor | 2 | 6A | 114 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM |
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